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The Rubens House is showing two unique loaned works

The Massacre of the Innocents and the Head of the Apostle Matthew

The Rubens House is showing two unique loaned works this autumn: The Massacre of the Innocents, an early masterpiece by Rubens and the most expensive Rubens ever and the Head of the Apostle Matthew, an outstanding early work by Rubens’ most talented pupil, Anthony van Dyck.

King Baudouin Foundation provides masterpiece Van Dyck on permanent loan

An outstanding early work by Rubens’ most talented pupil, Anthony van Dyck (1599–1641) has been provided on permanent loan by the King Baudouin Foundation. The Head of the Apostle Matthew is the only composition from the famous Böhler series displayed in a Belgian public collection.

Anthony van Dyck

Portrait of Marguerite de Lorraine

Cornelis de Heem

Still Life with a Berkemeier, a Peeled Lemon, Grapes and Oysters

Van Dyck. Inspiring landscape drawings

15.05.99 - 22.08.99

The exhibition "Van Dyck. Inspiring landscape drawings" - for the first time - reunited a large number of the landscape drawings and watercolours of Anthony van Dyck.

Rubens, Holbein and the Dance of Death: on the acquisition of a sketchbook

08.04.00 - 12.06.00

This exhibition was organised to mark the acquisition of a sketchbook of the young Rubens. He was inspired by a series of prints by the artist Hans Holbein II (1497/98-1543).

Marvels of delight. Master drawings from Jan van Eyck to Hieronymus Bosch

14.06.02 - 18.08.02

The exhibition gave an overview of almost one hundred years of early Netherlandish drawings.

The world is a garden. Hans Vredeman de Vries and Renaissance art

15.09.02 - 08.12.02

This exhibition provided an overview of the garden designs, drawings and coloured prints of the Dutch artist Hans Vredeman de Vries.

Panamarenko. Calculating and drawing

25.05.03 - 17.08.03

The Antwerp artist presented a selection of drawings and sketches from the Seventies to the present in the Rubens House.

A house of art. Rubens as a collector

06.03.04 - 13.06.04

For quite a long time, collecting art was a privilege of kings and the clergy. From the sixteenth century onwards, however, wealthy art-loving citizens also started to collect art. During his lifetime, Rubens also amassed an impressive art collection.