Rubens as an architect
Following his return from Italy in 1608, Rubens introduced Antwerp to his fascination for classical and contemporary Italian architecture. He and his first wife Isabella Brant purchased a building and the accompanying land on the Wapper in Antwerp in 1610 and converted it into a self-designed Italian palazetto complete with semi-circular sculpture gallery, studio and a beautiful garden. Rubens only put his architectural ideas into practice once, but in doing so, he revealed a thorough knowledge of the subject. The improvements lent his home the air of an Italian palazzo and embodied Rubens’s artistic ideals: the art of Roman Antiquity and the Italian Renaissance.
“His home will arouse the amazement of foreigners and the admiration of travellers".
Municipal secretary of Antwerp in 1620
Rubens’s city palace made an overwhelming impression on his contemporaries. The monumental portico and the garden pavilion began to appear in paintings by the likes of Anthony van Dyck and Jacob Jordaens shortly after they were completed. Rubens himself frequently used the structures as settings for his own paintings too.
In the scaffolds
In September 2017, scaffolding was installed around the portico and garden pavilion at the Rubens House to allow the conservation and restoration work to be carried out. The temporary roof was dismantled and the bronze vases and the statues of Mercury and Minerva were removed so cleaning could commence.
A team of four specialist stone restorers meticulously tackled the sculpted elements, spending a year treating one flaking stone after another. The garden pavilion is now a harmonious ensemble again of light-coloured plasterwork and sandstone and darker blue stone. The portico, with its different types of stone, has regained its grandeur.
The final stage was to install the glass structure that will protect the portico against precipitation and prevent further loss of form and contamination.
A giant crane lifted the various parts of the construction one by one over the museum façade from the Wapper, resulting in some spectacular images.
The canopy itself was assembled in the museum courtyard. The 30-tonne construction comprises a canopy made of triple-laminated glass sheets 6 cm thick, which are held in place by stainless steel frames, weighed down by lead across their entire length and anchored in the columns. The bronze statues and vases stand on top of the canopy.
After a year and a half, the restoration is complete. Visitors can now enter Rubens’s home again in the way he intended: with a spectacular view of the portico and garden pavilion.
Online talk over portiek en tuinpaviljoen met Ben van Beneden
"Geen botox, geen fillers, geen herstellingen, geen valse neus, geen valse oren. Neen, het oorspronkelijke materiaal maximaal bewaren." Zo verwoordt directeur Ben van Beneden waar het bij de restauratie van portiek en tuinpaviljoen om draait. In 15 minuten neemt hij u mee op een reis van 400 jaar door de tijd. Zijn verhaal start bij de restauratie van het Rubenshuis in 1939 en maakt af en toe een zijsprong naar de 17de eeuw.